Curator’s Corner

Today marks the birthday of Oscar Berninghaus, another artist represented in our collection. Berninghaus is best known as a painter of the Southwest. Although born and raised in St. Louis, the young artist became enamored with Taos, New Mexico after his first trip West in 1899. The same year New Mexico became a state in 1912, Berninghaus helped found the Taos Society of Artists. The other founding members include Joseph Sharp, Bert Phillips, Ernest Blumenschein, Irving Couse, and Herbert Dunton. The main mission of the Society was to promote the sale of paintings by its members. Since there wasn’t a [...]

As mentioned previously, the museum is closed until September 25, when we reopen with a new exhibition, Take Two: George Catlin Revisits the West. The exhibit will feature 17 paintings from Catlin’s Second Indian Gallery. But wait, who is George Catlin and what are his Indian Galleries? George Catlin (1796-1872) was a self-taught, self-supporting and self-motivated artist, author, showman, promoter, entrepreneur, and ethnographer. Born in Wilkes-Barre, Pa. and trained in the law, he chose art instead. Having the foresight in the 1830s that American Indian cultures were vanishing, he made it his lifelong mission to create a record of all [...]

Autumn is just around the corner, and with a new season comes a new exhibition. Sunday, September 14 is the last day of Western Treasures, after which time the museum will be closed in preparation for an exciting new exhibition, Take Two: George Catlin Revisits the West. The 17 paintings in the exhibition portraying eight American Indian tribes are from Catlin’s Cartoon Collection on loan from The Paul Mellon Collection at the National Gallery of Art, Washington, D.C. Thirteen of the works have never before been exhibited in Texas. In addition, a rare Deluxe edition of the most famous book [...]

Contrabandista a la Frontera is unusual among Frank Tenney Johnson’s oeuvre, or collection of works, in portraying gunfire but representative in showing one of his favorite color schemes. This work suggests why Johnson’s reputation as a pure painter – an artist rather than an illustrator – secured his election as an associate in the National Academy of Design in 1929 and as a full member eight years later, a distinction bestowed upon only three other artists represented in our collection: Gilbert Gaul, William R. Leigh, and Peter Hurd. Frank Tenney Johnson, Contrabandista a la Frontera, 1925, Oil on canvas, [...]

Although known for his depictions of cowboys and American Indians, Charlie Russell gave much attention to the wildlife that surrounded him near his Montana homestead. In fact, compositions of wild animals comprise roughly a quarter of the artist’s total production and attracted avid patronage during his career. However, scholars have paid little attention to Russell’s wildlife art. A new exhibition hopes to change that. On May 17, Harmless Hunter: The Wildlife Work of Charles M. Russell premieres at the National Museum of Wildlife Art in Jackson, Wyoming before touring to the Rockwell Museum of Western Art in Corning, New York, [...]

Russell’s When Cowboys Get in Trouble shows a scene familiar to many cowboys. Two of the horses are rearing and trying to buck their riders so they can flee from the mad cow. The saliva flying from the cow’s mouth reveals its frustration, and you can sense the horses’ fear in their widened eyes! In the middle of all the confusion, the cowboy on the gray horse frantically tries to pull his gun out without tangling his hand in the rope. Will he get to the gun before it’s too late? Charles M. Russell, When Cowboys Get in Trouble [...]

On a starry night, a stagecoach pulled by six horses travels on a moonlit path through a mountainous range when the horses get spooked. What has terrified the horses? The artist, Frederic Remington, does not tell us, but instead implies that there is something beyond the painting’s frame. The title, A Taint on the Wind, suggests that the horses smell traces of a foul odor in the breeze, causing them to pull of the reins. Frederic Remington, A Taint On the Wind, 1906, Oil on canvas, 27 1/8 x 40 inches While stagecoach travel was a popular mode [...]

Today we highlight a work by New Jersey artist Charles Schreyvogel. As noted on our blog, Schreyvogel gained national attention after a much publicized controversy between the artist and Frederic Remington. Best known for his depictions of horse soldiers of the Indian Wars, Schreyvogel’s Attack on the Herd is a unique composition in that it portrays a cowboy protagonist rather than a cavalryman. The striking canvas engages the viewer, inciting visual curiosity as the exciting spectacle of frontier conflict unfolds. Charles Schreyvogel, Attack on the Herd (Close Call), c. 1907, Oil on canvas, 26 1/8 x 34 1/4 inches [...]

In part three of our ongoing series celebrating the spirit of the stock show, we’ll focus on bucking broncs. While today bronc riding is a classic rodeo sporting event, this skill originates from the working cowboy’s necessary aptitude in horse breaking. The Sid Richardson Museum collection includes many examples of cowboys exercising such skillfulness, with or without success. Charles M. Russell, When Cowboys Get in Trouble (The Mad Cow), 1899, Oil on canvas, 24 x 36 inches “I never got to be a bronk rider but in my youthfull days wanted to be and while that want lasted [...]