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Although Remington spent his childhood growing up in rural Ogdenburg, New York, as a young man he quickly made his way to New York City where he spent most of his career. As he matured, Remington divided his time between the city and the country, which in this case was his childhood home in a region of New York state that's referred to as the North Country. By 1900, he had purchased an island in the North Country on the St. Lawrence River, an island he called Ingleneuk. Chippewa Bay, Frederic Remington Art Museum “I am in Chippewa Bay 10 [...]

In the spring of 1878, Remington wrote to his Uncle Horace Sackrider, “I am going to try and get into Cornell College this coming June and if I succeed will be a Journalist. I mean to study for an artist anyhow, whether I ever make a success of it or not.” Unfortunately for Remington, Cornell University did not have a journalism department at that time. Fortunately for us, Remington enrolled in the newly created School of Fine Arts at Yale instead. Our blog featured a previous post about Remington’s time at Yale, which was short. His collegiate career last about [...]

Remington loved canoeing. Despite his weight gain in his later years, which kept him from his love of horse riding, he quipped that he could always float. “If properly equipped, a man who sits at a desk the year through can find no happier days than he will in his canoe when the still waters run through the dark forests and the rapid boils below.” – Remington, 1893 Ingleneuk, Photo Album (Frederic Remington with Canoe), Frederic Remington Art Museum In the summer of 1892, Remington purchased a canoe and embarked on a 50 mile journey paddling the Oswegatchie [...]

*The following is part of a series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM’s special exhibit Another Frontier: Frederic Remington’s East. On a recent return flight to DFW, the Airbus in which I was a passenger encountered, in the pilot’s words, “moderate turbulence” (most of us onboard would not have used such an understated description). Sitting next to a window over an engine I was able to hear not only its powerful thrusts, but also the sounds of the mighty winds buffeting [...]

*The following is part of a series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM’s special exhibit Another Frontier: Frederic Remington’s East. The inclusion of paintings by Childe Hassam, Willard Metcalf, and Anna Richards Brewster in Another Frontier: Frederic Remington’s East signals an intriguing but understudied aspect of Remington’s life: his personal art collection. While not a large collection, little is known how and when he acquired the art objects usually on view in the Frederic Remington Art Museum in Ogdensburg, New York. [...]

Without a doubt, the iconic Western artist Frederic Remington was a New Yorker. He was born in Canton and raised in Ogdensburg, both small towns in Remington’s beloved North Country. Like many artists of his day, he developed his professional life in New York City, having lived in Brooklyn and Manhattan before purchasing a house in New Rochelle, a suburb of the Big Apple. Remington and Beauty at Endion. FRAM 1918.76.152.13 Frederic and Eva named their new home Endion (pronounced ahn-dy-yon), a Chippewa word meaning "my home" or "place where I live." It’s hard to imagine that the [...]

*The following is part of a series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM’s special exhibit Another Frontier: Frederic Remington’s East. Frederic Remington | The End of the Day | ca. 1904 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY Frederic Remington | The Fall of the Cowboy | 1895 | Oil on canvas | Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection Frederic Remington’s evocative The End of the [...]

*The following is part of a new series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM's special exhibit Another Frontier: Frederic Remington's East. One fascinating aspect of working on the exhibition Another Frontier: Frederic Remington’s East was reading the artist’s diary entries from 1907 through 1909. Doing this helped me gain a greater sense of Frederic Remington, as person and as an artist. I was especially keen to see what artists he might mention. While I knew he was friendly with a [...]

*The following is part of a new series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM's special exhibit Another Frontier: Frederic Remington's East. Willard L. Metcalf | Hudson River | 1905 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY When you visit the special exhibition Another Frontier: Frederic Remington’s East be sure to check out the photographs, letters, and drawings displayed in the vitrines in the center of the gallery. One particularly intriguing object to see is [...]

Frederic Remington | Small Oaks | 1887 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY Frederic Remington enjoyed spending his summers outdoors, preferably camping. In his painting Small Oaks, he records his campsite from the summer of 1887, on Small Oaks Island in the St. Lawrence’s Chippewa Bay. In a letter to his friend Lt. Powhatan Clarke, Remington clearly expresses his fondness for the outdoors, writing: “a friend of mine owns the Island and has a small cottage but we ‘are in camp’—camp is the only thing in summer—if I had money enough I would [...]