Blog

“In the city men shake hands and call each other friends but it’s the lonesome places that ties their harts together and harts do not forget.” - Charles M. Russell to Santa Fe [Tom Conway], March 24, 1917 Last week we welcomed back home one of our own – Charles Russell’s Man’s Weapons Are Useless When Nature Goes Armed. Originally hung in Sid Richardson's dining room at his San Jose Island home, this painting is a favorite among our visitors and had been out on loan with the traveling exhibition, Harmless Hunter: The Wildlife Work of Charles M. Russell, which [...]

As mentioned previously, George Catlin went on several summer excursions West in the early 1830s to record the customs and characters of American Indian tribes he encountered. After 1837, Catlin the artist turned into Catlin the showman, touring the East Coast and Europe with his collection of paintings, costumes, weapons, and household artifacts. He called it his “Indian Gallery” or “Gallery Unique.” In doing so, Catlin inaugurated the elements of what was to become known as Wild West Shows. Unknown artist, The World's Greatest Amusement Institution Tompkin's Real Wild West Frontier Exhibition and European Circus, ca. 1911, Lithograph, Courtesy [...]

It’s that time of year again – the Fort Worth Stock Show. Festivities begin tomorrow, and to gear up for the event we’re taking a look back at the roundup years of cowboy artist Charles M. Russell. MHS Photograph Archives, Helena, 944-687, Courtesy of Montana’s Charlie Russell: Art in the Collection of the Montana Historical Society As a young boy, Charles Russell was fascinated by tales of the West – Indians, explorers, cowboys, and more. Young Charlie was an avid reader of dime novels and tales of the pioneering frontier. By the age of 16, his parents relented [...]

Yesterday marked Charles Schreyvogel’s birthday. The young artist grew up in New York and New Jersey, but traveled to Europe where he studied at the Munich Art Academy. Schreyvogel returned weak and sickly. Although the doctor urged Schreyvogel to seek the dry, hot air of the American West, in the 1890s, the closest the artist could get to the West was William Frederick "Buffalo Bill" Cody’s Wild West Show in New York. The traveling performance became one of Schreyvogel’s primary sources of information about Native Americans. He spent many visits sketching the actors from Buffalo Bill’s Wild West Shows. It [...]