Curator’s Corner

*The following is part of a series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM’s special exhibit Another Frontier: Frederic Remington’s East. Frederic Remington | The End of the Day | ca. 1904 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY Frederic Remington | The Fall of the Cowboy | 1895 | Oil on canvas | Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection Frederic Remington’s evocative The End of the [...]

*The following is part of a new series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM's special exhibit Another Frontier: Frederic Remington's East. One fascinating aspect of working on the exhibition Another Frontier: Frederic Remington’s East was reading the artist’s diary entries from 1907 through 1909. Doing this helped me gain a greater sense of Frederic Remington, as person and as an artist. I was especially keen to see what artists he might mention. While I knew he was friendly with a [...]

*The following is part of a new series of blog posts researched and written by Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History TCU School of Art, and guest curator of SRM's special exhibit Another Frontier: Frederic Remington's East. Willard L. Metcalf | Hudson River | 1905 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY When you visit the special exhibition Another Frontier: Frederic Remington’s East be sure to check out the photographs, letters, and drawings displayed in the vitrines in the center of the gallery. One particularly intriguing object to see is [...]

Frederic Remington | Small Oaks | 1887 | Oil on canvas | Frederic Remington Art Museum, Ogdensburg, NY Frederic Remington enjoyed spending his summers outdoors, preferably camping. In his painting Small Oaks, he records his campsite from the summer of 1887, on Small Oaks Island in the St. Lawrence’s Chippewa Bay. In a letter to his friend Lt. Powhatan Clarke, Remington clearly expresses his fondness for the outdoors, writing: “a friend of mine owns the Island and has a small cottage but we ‘are in camp’—camp is the only thing in summer—if I had money enough I would [...]

When visitors enter the museum, usually they are immediately greeted by a portrait of Sid Richardson, which was painted by the American artist Peter Hurd. But starting today, a different gentleman will be welcoming our guests; Henry Lloyd Herbert to be exact. Mr. Herbert served as Chairman of the Polo Association from 1890 to 1921 and helped found the Meadow Brook Club on Long Island, New York. Frederic Remington | A Hunting Man (In Full Pursuit: H.L. Herbert Taking A Wall) | 1890 | Oil on canvas | Private Collection Frederic Remington painted a portrait of Mr. Herbert [...]

It’s summer time, which for some also means vacation time. For those who are looking to escape to the great outdoors, camping is a fun way to enjoy “ma nature.” Charles Russell enjoyed being outdoors and went on several camping trips, including a few with friend and pioneer dude rancher, Howard Eaton. After one such trip, Charlie’s wife Nancy recounted to a friend, “This trip has been a trip of memories. Chas. just loved it all and had such a good time every day then around the camp fires at night they always had the big talk.” Russell gifted to [...]

Scholars consider Frederic Remington to be one of the most copied American artists. While compiling a catalogue raisonné[1] of Remington’s paintings, the review committee examined nearly 500 two-dimensional works. Of those submissions, only 22% were deemed original. The rest were copies, fakes, and forgeries. What’s the difference between a fake, forgery, or copy? A fake is a painting that does not relate to any known Remington work but is given a fraudulent Remington signature and is of a subject that might have interested him. A forgery occurs when someone takes an artist’s work, paints out his or her signature, and [...]

This month marks the opening of our new focus exhibit from our “Guest of Honor” series entitled Frederic Remington: Altered States. This exhibit brings together a small grouping of Remington’s works, including two rarely seen paintings from the Museum’s permanent collection, as well as bronzes and books from private collections. Altered States not only highlight’s Remington’s career as an illustrator, but it also examines the various issues surrounding the authenticity of a work of art. Let’s first look at alterations to artworks made by the artist’s hand. The exhibit features two versions of the same Remington bronze, The Rattlesnake. In [...]

Named after Louis IX of France, St. Louis is a city filled with history. Now home to Anheuser-Busch and the Gateway Arch, St. Louis was once home to some of our SRM artists: Charles Russell, Oscar Berninghaus & Herbert Herget. Downtown St. Louis. Image courtesy Timothy K Hamilton. Born in St. Louis in 1864, Charles Marion Russell grew up in Oak Hill at his family's manor-style house near present-day Tower Grove Park, a site of picnics and Sunday gatherings for the best families of St. Louis. For Russell, it was a great area in which to ride his [...]

Remington depicts “thunder fighters” of the Sioux Nation not only braving a storm, but braving their own fears to chase off the big black thunder bird whose beating wings filled the air with roaring. The painting was originally intended as an illustration in the 1892 edition of Francis Parkman’s The Oregon Trail. Frederic Remington | The Thunder-Fighters Would take Their Bows and Arrows, Their Guns, Their Magic Drum | 1892 | Oil on wood panel | 30 inches x 18 inches Francis Parkman (1823-1893) was born into a well-to-do Boston family. In April of 1846, just out of [...]