Curator’s Corner

19 10, 2022

Remington’s Revisions in Bronze

2022-10-19T08:54:53-05:00October 19th, 2022|0 Comments

Within our current exhibit, Night & Day: Frederic Remington’s Final Decade, visitors will observe how the artist returns to compositions and themes first represented in his illustrations and now reimagined as dynamically painted fine works of art. Remington’s habitual patterns of revision extend to his work in three dimensions as seen in the bronze sculptures on display in the front gallery of the museum. Remington modeled 22 subjects for bronze casting from 1895 until his death in 1909. When he started, he used the Henry-Bonnard Bronze Co. to sand cast his first 4 bronze subjects. Then sometime in 1900, Remington [...]

21 09, 2022

Night & Day: Frederic Remington’s Final Decade

2022-09-28T14:49:09-05:00September 21st, 2022|1 Comment

Opening to the public this Saturday, September 24, 2022 is a new exhibit titled, Night and Day: Frederic Remington’s Final Decade. On display through April 23, 2023, this exhibition explores works made in the last decade of Remington’s life, ranging from 1900-09, when the artist alternated his canvases between the color dominant palettes of the blue-green of night and yellow-orange of daylight.   Frederic Remington | A Figure of the Night (The Sentinel) | 1908 | Oil on canvas | 30 x 21 1/8 inches   Frederic Remington | Self-Portrait On A Horse | c. 1890 | [...]

11 03, 2022

Here Come the Saucy Riders: Women in Rodeo

2022-03-11T09:27:26-06:00March 11th, 2022|0 Comments

Here come the saucy riders, Girls who are Texas born; Who know the rhythm of riding Over prairie sage and thorn Watch how they cut and circle, Canter and gallop and pace; Each girl and horse united In a flowing pulse of grace. Surely such easy motion, Free from strain or fear, Comes only to those who are quickened By the life of the pioneer.   “Girl Riders,” by Mrs. W. E Boswell, President, National Poetry League in “Poems of the West,” Rodeo Souvenir Annual, 1947, page 67   Though many of the pages of the 1947 Rodeo Souvenir Annual [...]

16 02, 2022

Can You Savvy, Tenderfoot?

2022-02-24T18:12:04-06:00February 16th, 2022|0 Comments

Have you ever been to a rodeo? What’s your favorite event? Attendees to the annual Fort Worth Stock Show & Rodeo can see a series of riding and roping contests derived from the working skills of the American cowboy. The rodeo features events such as various roping competitions, barrel racing, bull riding, bronc riding, bareback and ranch saddle bronc riding. “Bareback Bronc Riding,” Rodeo Souvenir Annual, 1947, page 45 According to the 1947 Rodeo Souvenir Annual, featured in our current exhibit Saddles on Parade: The Artistry of Edward Bohlin, the rules allow the saddle bronc rider to use [...]

19 01, 2022

Saddles on Parade

2022-02-24T18:07:57-06:00January 19th, 2022|0 Comments

Opened this month is our new pop-up exhibit, Saddles on Parade: The Artistry of Edward Bohlin. On display through April 2022, the installation includes two saddles and related gear by Bohlin, along with photos and ephemera related to Sid Richardson and his involvement in the annual Fort Worth Stock Show & Rodeo. One such item is the 1947 Rodeo Souvenir Annual. Over the duration of the exhibit, we’ll flip through the pages with you and share some fun and interesting features from the annual. Rodeo Souvenir Annual, Southwestern Exposition and Fat Stock Show, Fort Worth, Texas, 1947, Compiled by [...]

19 05, 2021

What’s Next? Picturing the American West

2021-08-11T17:24:30-05:00May 19th, 2021|0 Comments

As we prepare to reopen the museum to the public on June 7, 2021, we are pleased to present a fresh exhibit both in person and virtually! This thematic installation features works from the Sid Richardson Museum displayed to provide new contexts and renewed insights into the collection. The works are grouped around four themes: The Bison and Plains Indian Culture, Western Archetypes, Cowboys and Native Americans, and finally Twilight into Night. Installation of Picturing the American West exhibit While the collection holds a comprehensive group of works by Frederic Remington and Charles Russell, who therefore dominate this [...]

26 04, 2021

Moran Painting’s True Identity Revealed

2021-05-11T16:56:30-05:00April 26th, 2021|1 Comment

The museum made a recent discovery about an artwork from the collection as a result of one of our public programs, Tea & Talk. Designed to help us slow down the art looking experience by spending 10, 20, or even 30 minutes with one work of art. Tea & Talk engages participants through shared conversation about what we see. During a recent virtual Tea & Talk with Peter Moran’s c. 1880-81 oil painting Indian Encampment, the conversation focused on the large number of horses in the painting, leading some to speculate that the Indigenous people in the painting may have [...]

13 01, 2021

Illustrating Disillusions of War

2021-08-11T17:38:15-05:00January 13th, 2021|2 Comments

Our current exhibit, In A Different Light: Winslow Homer & Frederic Remington, explores some of the comparisons in the careers of these two iconic American artists. One of those parallels is that both Homer & Remington served as artist war correspondents: Homer in the Civil War and Remington in the Indian Wars in the Southwest and the Spanish American War in Cuba. The exposure to the realities of war made a lasting impression on both men. At the outset of the Civil War, Harper’s dispatched Homer to the frontlines in Virginia in 1861 to capture life on the battlefield. On [...]

18 11, 2020

Will the Cable Hold?

2021-03-23T20:10:58-05:00November 18th, 2020|0 Comments

Our current exhibit, In a Different Light: Winslow Homer & Frederic Remington, includes some artworks by Homer that focus on his seaside imagery. Homer often created scenes focusing on the forces of nature and dangers of the turbulent sea. Some artworks may include women looking anxiously out at sea, as in his 1888 etching Perils of the Sea, available to view through our virtual tour. Some artworks include scenes of near-drowned women, as in this 1887 etching The Life Line. Both prints are part of a group of etchings that Homer produced in the 1880s that closely followed his painted compositions. In The Life [...]

21 10, 2020

Nobody Can Soldier Without Coffee

2021-05-11T17:07:30-05:00October 21st, 2020|4 Comments

One of the similarities between Frederic Remington and Winslow Homer as demonstrated through our current exhibit, In a Different Light: Winslow Homer & Frederic Remington, is that both artists made their start as illustrators working for the popular magazines of the period (Harper’s Weekly, Scribner’s Monthly, etc). One of their key assignments was as war correspondents. Remington focused on the American Indian Wars in the Southwest and later the Spanish American War in Cuba. Being from an earlier generation, Homer focused on the American Civil War. In 1863, Homer partnered with Boston publisher Louis Prang (who is sometimes referred to as the “father of the American Christmas card”) in a [...]