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Few animals loom larger in the art of Charles M. Russell than the grizzly bear. In our exhibition, Russell’s Retreat: Summers at Glacier National Park, the grizzly appears again and again, not merely as wildlife, but as symbol, adversary, storyteller, and force of nature. Along the rugged slopes of Glacier National Park, Russell found in the bear a subject equal to the mountains themselves: powerful, unpredictable, and unforgettable.   Charles Russell, He Tripped and Fell Into a Den on a Mother Bear and Her Cubs, 1910, watercolor, pencil & gouache on paper, Sid Richardson Museum   From his [...]

In recent posts, we’ve explored Charles M. Russell’s summers at Bull Head Lodge and followed author Mary Roberts Rinehart on her journey through Glacier National Park alongside the celebrated “Cowboy Artist.” We’ve considered the mountain light, the storytelling around campfires, and the way Glacier’s alpine stillness reshaped Russell’s art. But as we continue our exploration of the relationship between Russell’s artwork and Glacier National Park, it is essential to ask a more complex question: What did it mean to create a national park in the first place? To explore that question, we turn to historian Mark David Spence and his [...]

Last month on the blog, we explored how Charles M. Russell found creative refuge each summer at Bull Head Lodge along the shores of Glacier National Park. We considered how the alpine landscape shifted his palette, softened his narratives, and invited a quieter, more contemplative vision of the West. But what was it actually like to experience Glacier alongside Russell himself? For that, we turn to an unexpected traveling companion: bestselling author Mary Roberts Rinehart and her lively 1916 account, Through Glacier Park.     By the time Rinehart visited Glacier in the 1910s, the park was still young. It [...]

The image is instantly recognizable: a lone figure stands in the middle of a dusty street, hand hovering near the holster, eyes fixed on a shadowy opponent. The silence stretches. A gun is drawn. A legend is born. We’ve seen this moment play out countless times on screen, in books, and in paintings. The gunfighter has become a fixture of American mythology, equal parts outlaw and hero, lawman and vigilante. But how did this figure come to define the West? And where do the boundaries lie between history, art, and invention? At the Sid Richardson Museum, our current exhibition The [...]

In museums, we often talk about looking closely. But what happens in our bodies and brains when we actually do it? Recent research is beginning to put language—and data—around something many museum visitors intuitively know: spending time with art can change how we feel. A study highlighted in The Washington Post explored the physiological effects of slow looking, asking participants to spend just 20 minutes with works of art. The results were striking. Levels of cortisol, the body’s primary stress hormone, dropped by an average of 22 percent. Markers of inflammation fell even more sharply. Heart rhythms suggested deeper relaxation. [...]